THE ORIGINAL DGTM OVERDRIVE PEDAL IS BACK. IT'S THE SAME CIRCUIT AS BEFORE. IF YOU'RE LOOKING FOR SMOOOOOOTH OVERDRIVE, LOOK NO FURTHER!
T. Jauernig Electronics, original designer and builder of the Luxury Drive, DGTM, Gristle King, and a host of other fine hand built guitar effects is back. We are once again working to bring you great hand built products.
Our web site is always under construction. We are making an effort to present you with our entire spectrum of offers as soon as possible.
If you have pedals, or gear you're looking to get rid of, drop me a email and we'll see if we can work out a deal.
T. Jauernig products have been known to be used and abused by the following:
(Please note: the mention of these fine players does not constitute an endorsement. These players have used, or do use T. Jauernig products from time to time. A piece of gear is a tool, and each tool has a specific job)
Greg Koch, Roscoe Beck, Gary Moore, Jeff Kolman, Nils Lofgren, Robben Ford, Billy Sheehan, Buddy Whittington, Steve Vai, Andy Summers, Joel Hamilton, Johnny Hiland, Chris Soucy, Keith Cane, Dave Weiner, Reggie Hamilton, Paul Barrere, Fred Tackett, Josh Smith, Larry Rolando, Michael Hill, Marc Gallo, and a host of others.
NEWS.....There have been a few dealers added on the ordering page. CHECK IT OUT!
NEW F-Bomb FUZZ now available. Check out the products page!!!
"This is the hardest working fuzzbox in the business. Talk about versatility. I have a vintage Soviet Big Muff and an Austone Fuzznutz, and they're great pedals. They pretty much limit themselves to single note stuff and just get inarticulate and muddy when chording. The F-Bomb, gets all blown out and lusciously filthed up when the fuzz knob is pegged, but you can still chord in this setting and hear individual notes. Then, if you roll the volume back a bit, or even better, back off on your guitar volume it turns into one of the best sounding overdrive pedals you have ever heard. Another cool feature is that when you roll off the guitar volume, the sound even brightens up a bit. How's about a side order of shimmer with your fuzz? It's also a bit of a sonic chameleon of goodness. It paints entirely different soundscapes dependent on what type of amp you're running it into, or even where in your signal chain you put it. I know, I know, gain effects first, but I'll be hornswoggled if it doesn't sound altogether different and at the same time, totally macho and awesome sauce, AFTER my tremolo pedal...I know, weird right? The features keep right on coming...there's an adjustable bias trim pot hidden under the hood for the second silicon transistor in the circuit...tweak that and BOOM, game changer. Totally different voices. I have a couple of Tim's pedals (DGTM, Sweet Poi, 1-800-GAIN, Atomic FET Boy) and this is my new favorite. If you're a fan of filthy fuzz, and a collector of unique dirt boxes, you should get your mitts on one of these foul mouthed vixens, and just watch your tone start cussing like a truck driver..." (Bryan Iverson)
As always, all of the pedals are built to order, by hand, one at a time. There are no mass produced products here, outsourced pcb manufacturing or populating. When you purchase a Jauernig product, you're purchasing a hand made instument of tone!
5-12 NEWS........Ricochet Simulated Tape Echo available........pictures and details coming soon. (Rockett Pedals has licensed a version of this pedal from me. Rockett calls it the "Alien Echo") This is a digital delay based on the PT2399 IC. The pedal offers 600ms of analog type delay. But......all this comes with a twist. There is a circuit in the pedal that can be engadged that randomly adds modulation to the repeat signal in varying degrees. This gives you a more accurate representation of what degrading tape would sound like.
